Call it the second Harlem renaissance. On Manhattan's 125th Street, where a sculpture of Adam Clayton Powell Jr marches onwards and upwards, the area is buzzing with energy and excitement.
The celebrated Apollo Theater is in the middle of major renovations. Another cultural institution is set to relocate into an $80 million arts complex covering a city block. Meanwhile, another organization recently opened a $250M facility containing its main offices, low-income residences and commercial areas.
âThis structure declares to the globe: Harlem matters; Black art matters; Black institutions matter,â stated the chairman of the board of trustees. âIt will serve as a beacon on this historic street, a place where creativity and community meet.â
This institution was founded by creators, advocates, philanthropists and community members to address the widespread omission of African American artists from mainstream institutions. Its debut in a rented loft over an liquor store in the late 1960s, a traumatic year of assassinations, protests and societal transformation.
âThis moment feels what it must have felt like when it all began,â noted a museum leader. âThe institution emerged in a time of change. The country was divided. People were marching. Creators were insisting to be recognized.â
The recently completed $160 million structure covers 82,000 square feet across seven levels. Created by design teams, the building constitutes the first purpose-built home for the museum and nearly doubles its gallery and activity areas.
The building features galleries, an large entrance hall, flexible programme spaces, a specialized learning studio, a cafe and shop, plus a rooftop terrace with sweeping urban vistas. A monumental stair, clad in terrazzo, fills the main atrium space.
The inaugural exhibition schedule showcases the institution's history and aspirations with four major exhibitions. One exhibition features the initial comprehensive retrospective of innovative creator an electronic art pioneer, whose electronic light sculptures appeared in the museum's inaugural 1968 exhibition.
The museum's arrival feels particularly significant during a period when diversity initiatives, cultural institutions and the way Black history is presented face growing challenges. The city has just chosen a mayor who personifies the metropolis's multicultural character, and this neighborhood has a particular talent for making cultural revival resemble defiance.
âHarlem has always been evolving,â observed a longtime director. âThis is a neighbourhood that has been evolving since it was established. But Harlem has also been a community where Black culture has flourished.â
This institution honors its influential artist-in-residence programme with an former residents exhibition including prominent figures such as contemporary portraitist, Mickalene Thomas and conceptual painter. The display mixes recently created works with older artworks spanning various periods.
Including new commissions are sonic installations and sculptural pieces. Seven bronze time capsules created by artist Houston Conwill contain private statements by seven distinguished Black Americans, originally interred in the institution's outdoor space in the mid-1980s and now on display with plans to be opened in the year 2034.
Visitors can explore an historical display of images and ephemera documenting the museum's history through its exhibitions, programs and activities over almost sixty years. This rich history includes memorable moments ranging from royal visits to local presentations that together demonstrate the museum's lasting influence.
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