A recent initialism emerged several months following the onset of Israel’s bombardment of Gaza. Referred to as WCNSF, it means “Injured child with no living relatives”. This term is found only in Gaza, according to doctors like paediatricians. Ordinarily, it is rare for medical staff to treat a child who has lost their complete family. Yet, there has been absolutely nothing ordinary about the widespread destruction in Gaza, where entire family lineages have been obliterated and the number of young amputees exceeds that of anywhere else in the world. No sense of normalcy about scores of doctors coming back from a sea of ruins with reports of children being deliberately targeted.
Conditions in Gaza persist as a profound humanitarian disaster. Critical healthcare resources are being blocked those in need, and major human rights organizations have stated that violations are still being committed. The Israeli government rejects these claims, consistent with how it disavows all charges it is accused of. Yet as grieving children who lost parents are now freezing in temporary shelters, there is a piece of uplifting information: nothing is going to stop the Eurovision song contest from advancing its professed goal of “togetherness and cultural exchange.” The contest will continue to offer a prestigious stage for Israel, even though at least four European countries have now pulled out in protest. Since this, apparently, is what unity resembles.
The contest, notably prohibited Russia from taking part in 2022 because of the “grave situation in Ukraine”. However, the situation in Gaza appears to be treated differently.
Forget the fact that Israel was alleged to have used unfair vote practices last year in what seems to have been an effort to manipulate Eurovision. Ignore the report that a three-year-old girl was reportedly killed in Gaza recently. Pay no mind to the evidence that settler violence and coerced removal in the West Bank have surged. Disregard the condition that foreign reporters are still denied independent reporting in Gaza. None of this, it would seem, should be permitted to obstruct of Eurovision’s self-proclaimed spirit of unity.
The contest marks seven decades next year – almost double the current lifespan of a person in Gaza now. The broadcast will air, but it will never be able to restore the camp joy it once represented. A competition that once promoted togetherness has devolved into a cynical way to provide a cultural veneer for conflict.
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